ASLI’s Mental Health Awareness Fair and Event – The low-down


ASLI’s Mental Health Awareness Fair and Event 

The low-down


ASLI Info graphic

On Saturday the 30th of May ASLI had a fabulous day of engaging with our local community and our event was a great success. The whole premiss of our day was to raise awareness about our campaign MENTAL ILLNESS, HEALTH AND RECOVERY, to showcase some local artists who use their art to deal with their own mental health struggles, to give back to the community by having a FREE table-top sale and swap shop and by inviting local crafters and artisans to sell their beautiful creations along side us in solidarity. Oh and how could we forget CAKE, there was lots of cake!

The ASLI team and our ASLI volunteers pulled together so that our guests as well as ourselves, enjoyed a day of positive engagement and community.

See our Gallery of all the event photos – Click Here!!


We would like to thank:

The Oasis Centre – Not only was the centre and amazing venue, the staff were so accommodating and supportive. They gave us the entire venue for free, we asked if we could donate to their chosen charity and they chose a local animal sanctuary.

The Exhibiting Artists – Louise Tomkinson, Michelle Morgan, Chris WebbPhilippa Newman , Andreea Stan, Lisa Reeve and Charlotte Farhan

Our Stall Holders – Lisa TaylorJames WaterfieldPaul Brian, Philippa Newman, Debra Carter and Emily Murphy

We will be featuring all these amazing people and their talents in separate blog posts so keep an eye out!


We made lots of amazing connections with our local community, including mental health charities and art projects and communities! We will be building on these connection in the coming month, more details to follow…

Plus we had lots of local artists sign up to get involved as well as local residents signing up to our blog and newsletter.

All in all a very happy event! And to top it off we raised just under £200 for ASLI to continue to do what it does best, using art as a tool to create change and save lives.

Be sure to check out:

  • our Gallery of event photos taken by our two ASLI photographers Lisa Reeve,  Charlotte Farhan and Iain Turrell
  • our gallery of our exhibition on mental health and artists in Portsmouth at the event
  • our shout outs to our craft and art stall holders

Thank you xxx

ASLI INFO GRAPHIC By Charlotte Farhan




Composer Sophie Paulette Jupillat “I felt strong and happy when I made art, art truly saved my life and was my only hope”.

Composer Sophie Paulette Jupillat “I felt strong and happy when I made art, art truly saved my life and was my only hope”.


Sophie Paulette Jupillat
Sophie Paulette Jupillat


Sophie Paulette Jupillat, 21, Orlando, FL, U.S. Also known as Phoenix or PhoenixMusique. A French Venezuelan: born in Venezuela but adopted by French parents who moved to the US when Sophie was two. Sophie creates music which speaks to the core of you, it evokes memories and emotions which are hidden deep within oneself. We at ASLI fell in love with Sophie’s music and knew that this artist needed to be heard.

Growing up I was surrounded with books, art and music of all genres, which led to my unquenchable passion for writing and music.

What motivated you to deal with the subject of female stereotypes in your art?

As I was privileged in certain respects when growing up, particularly in the area of education, my childhood and teenage years were horrible and rife with emotional abuse. This opened my eyes at an early age to both the unfairness and the beauty of life. My appreciation for all things beautiful about the human race and the pursuit to make it better through art is a direct product of my environment.

I composed Simmering Soul as a response piece to a man’s comment about women’s emotions and ability to compose. He stated that women are too emotional to be able to compose great pieces on the level that Mozart or Liszt could. In addition, this piece was also a subtle lash out to my family, who thought I was ‘abnormally quiet’ for a girl. Stereotypes like these need to be brought down, and women need to find a place in the arts where they can be respected as much as their men counterparts. A woman should be as quiet as she wants, be able to create art how and when she wants, whether in the face of adversity, or in the embracing arms of nature. Womankind is a simmering spirit!

Simmering Soul begins with strings and piano quietly, mirroring how subdued I felt in my household. As the piece progresses, the strings and piano get louder, gaining a crescendo as the clarinet joins the fray. In the middle of the piece comes the peaceful vivid resolution: a swell of strings and clarinet with the piano in the background. Near the end of the piece a jazzy flair comes into play, and the accordion and horns make their appearance. It becomes a celebration of life, an emancipation of spirit: like I achieved through the completion of this piece, and the pursuit of my art; like the ardent journey women have made, and still have to make to achieve complete freedom.



Tell us why you chose this submission?

I saw this submission opportunity on Facebook and immediately decided to apply. Many contests for Women’s History Month pop up every year, but the earnestness with which Art Saves Lives promoted the submission invitation and its goal called to me on a personal level. I knew I had something special I could give.

Why have you chosen the medium you use for your art?

There is no specific reason; whether I’m writing or composing music, whatever the heart of the art is, I choose what is best for it. For Simmering Soul and most of my music compositions, I tend to favour orchestral instruments; they give a polyphonic deep voice that I feel best conveys the emotion of the piece.

What is your process when creating?

It is very disorganized most of the time; often times, my music and writing pursue me! Sometimes, a tune floats into my head one day fully formed, with orchestral instruments and all, and I later go to my keyboard and transcribe what I can. Other times, I just mess around on the keyboard and find a melody that I like, then spend months polishing it up. For my writing, usually an idea springs into my head, or a dialogue between characters, or a line of description, and I write an outline of what I think the story or poem will be. It can take from one day to months and months to finish, depending on the work.



Who are you influenced by? What inspired you and your art?

I am influenced musically by big bands (like Benny Goodman and Gershwin) and the great composers (like Mancini and John Williams). I am also influenced by classical music and soft rock from the 70’s. I was classically trained as a pianist and have combined that with my love of jazz to create myself a genre. For my writing, I am influenced by classical French literature (like Hugo, Gautier, or Balzac), English literature, Gothic literature of all kinds, science fiction and mystery. Whether in music or art, and whatever the genre, I love writing about anything of the human condition, the reason for living, the beauty of nature..

What does feminism mean to you and do you consider yourself to be a feminist?

To me, feminism means equal rights for men and women in all aspects of social, political, cultural, scientific, and economic life. The fact that in the 21st century, women are still lesser than men, if not in the work place (such as having a lesser salary), then socially (such as in all the stereotypes degrading women—the list is endless), is an outrage. I am a feminist, yes, in the sense that I feel we women shouldn’t be treated as property, and are just as capable as men of doing things. However, I am not of the ‘Nazi feminist’ trend that is sadly emerging in our society today due to misunderstandings and unwillingness to face facts on the part of both men and women.

What made you want to get involved with our non-profit ART SAVES LIVES INTERNATIONAL mission?

One hears a lot about various organizations trying to raise awareness during Women’s History Month. Usually, though, these types of organizations look for something very specific, often shunning the many varied issues that Women’s History Month raises by its nature. Some are limited to one form of art. ART SAVES LIVES INTERNATIONAL drew my attention because its mission is universal, both to contributors and to the public.  It welcomed all types of art that women can do, instead of selecting just one. The content ASLI called for was about issues that are deeply resonant in our world today: education, violence, stereotypes, equal rights, all very real and very insidious problems that need to be addressed.

Do you feel women have to conform to social norms and stereotypes to be taken seriously? Do you have any experiences of this?

Sadly, yes, I do feel we have to project an image in order to be taken seriously, specifically at work and at school. Sometimes, I feel we are discouraged from taking certain paths because ‘men will always do it better.’ For example, for a time, I was a computer science major, and the number of silently or overtly derisive attitudes this evinced was astonishing. The mentality is: women cannot do science. I had a similar experience with music. I’ve been composing since I was 13. I made a male close family friend listen to a few of my compositions one day, and he said they were nice, but it was obvious a woman wrote them. He said it was obvious because women’s inherent approach to music is “daintier and lighter than a man’s. There aren’t female equivalents of Rachmaninoffs, powerful composers,” he said. It made my blood boil.

During interviews, on the other hand, I’ve felt that I’ve had to play up my femininity in order to be taken seriously. The demands placed on women to be a certain way is much more intense than for men. Just taking a look at ads today, the woman has to be curvy but skinny, sexy, all done up, and smart, but not too much because after all, she is to be desired by men, but not be competition. She has to cook, be a mother and be the ‘ideal wife.’ Even women reinforce stereotypes among themselves! My own mother told me to be independent, and yet she insisted I be a good cook, a housekeeper, and always dressed up to the nines no matter where I was.

Do you think that women and men are equal in today’s societies around the world? Have you any experience of this?

Definitely not, as you can see from what I’ve stated above, and in Third World countries the situation is even worse.

What causes and world issues are you passionate about, campaign for, volunteer for etc…..?

I am passionate about equality, for everybody. I am passionate about equal income, about women’s rights, about the education and care of children, particularly adopted ones. I have volunteered at children’s summer camps, art camps, and would do it again. I also would volunteer for anything concerning the arts and/or languages.

What does the statement ART SAVES LIVES mean to you and has art in anyway “saved” your life in any way?

ART SAVES LIVES means exactly what it says. Art has the potential to touch the human psyche in a deep and life-influencing way; it can inspire one to do so much. Art definitely saved my life during my teenage years of emotional abuse. When my own adoptive parents were telling me I would be a failure, and that my art was nothing special, that I could never do anything with it, plunging ahead and creating was my coping method. Being able to write creatively and play music was my own secret garden in my family world of chaos and destruction. If I felt worthless back then, at least I felt like my own person. I felt strong and happy when I made art. Art truly saved my life and was my only hope.

How can your art be used to create change and is this something you want for your art?

My music and writing can be used to inspire awareness of the beauty of the world around us, to appeal to the better human in all of us. I like to think that as I always put so much of myself in all my work, people around the world who can experience my art will find themselves mentally communicating and communing with my art. I also think that by the very act of creating art, I can inspire fellow women to do the same, regardless of their background: Whether one was born in luxury, or whether one was born in a Venezuelan barrio (as is my case), one can achieve great heights.



What are your goals as with your art?

My goal is to keep perfecting my art and touching people’s lives. It is my hope one day to be a published novelist and poet, as well as a film composer.

What is your next project or piece that you are working on?

I have so many I can’t list them all. But a couple of my ongoing musical projects are varying instrumental jazz pieces, a techno piece, and a Russian waltz (part of my three part Waltz of the Romanov’s series). Writing-wise, I am working on a play, several science fiction stories, a Gothic novella, a short story, and poetry.

And is there anything you would like to add to your interview?

No, just that I am very honoured to be a part of this project and would love to contribute more in the future!

If you would like to know more about Sophie Paulette Jupillat follow these links:



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ASLI Exhibition at The Art House – Event Photos

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The Art House - Southampton - THE VENUE
The Art House – Southampton – THE VENUE



Mural and story board of the project - created by Lisa Reeve and Charlotte Farhan
Mural and story board of the project – created by Lisa Reeve and Charlotte Farhan




Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition – Art By Charlotte Farhan




The creative zone - Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
The creative zone – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition



The Art House - Southampton -
The Art House – Southampton –



By Anna Bispham

The ASLI Photo Booth


Mohammed - Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Mohammed – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition


Lesley and John -  Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Lesley and John – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition


Bex -  Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Bex – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition


Matthew and Ann -  Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Matthew and Ann – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition



Becky -  Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Becky – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition


Lisa -  Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Lisa – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition


Charlotte - Art Saves Lives International - Launch Night for the Bursledon House Project and Exhibition
Charlotte – Art Saves Lives International – Launch Night for the Bursledon House Project and Exhibition



Thank you for looking please follow this link 

to view the exhibition by the children of Bursledon House









Art Saves Lives International is excited to announce its first collaboration and art project with the young residents and staff at Bursledon House Hospital in Southampton, UK. The project was inspired by ASLI’s Charlotte Farhan. She is now leading the project, helped by our talented Artist in Residence, Lisa Reeve.

Bursledon House provides a lifeline to young kids and teenagers with severe, complex and chronic medical problems. Using a caringly structured programme of treatment in a relaxed, non-medical setting, Bursledom House supports, cares for and manages the treatment of its vulnerable young residents (aged 0-16). The NHS-run organisation places paramount importance on residents’ physical, psychological, educational and social needs.

ASLI has been invited by Bursledon House to perform an inclusive and inspirational art project with its young residents. ASLI Artistic Director Charlotte Farhan and ASLI Artist in Residence Lisa Reeve were inspired to perform this project due to their own personal struggles with mental illness. They believe art has played a restorative, vitally important role in helping them manage Borderline Personality Disorder.

For Charlotte, this project is especially close to her heart. At the tender age of fifteen, Charlotte was placed in an adolescent psychiatric unit and attended a residential school in an NHS governed centre similar to Bursledon House. She remembers how scary this chaotic period of her life was for her, and how school was the last thing on her mind.

But institutions like Bursledon House are essential in providing structure and routine for sick and vulnerable young children and adolescents during a difficult, traumatic time of great need. Charlotte found being able to still attend art, English and History classes a real release from her daily treatment. She relished the opportunity to learn these subjects, which provided relief and inspiration, instead of purely focussing on continuously feeling unwell.

This ASLI project promotes holistic creative healing through art therapy. Each child is being encouraged and motivated to produce their very own ‘Personality Portrait’: an abstract style of portrait that reflects the inner core of a person: their energy, vitality and individuality, which forms their root personality, based on experience, fears and desires. Celebrating individuality is especially important for children who have perhaps already identified themselves as “sick children”. Art therapy takes children outside of their comfort zones and transient realities, helping them shape the futures they want.

As a skilled SFX make-up artist and photographer, Lisa is also relishing painting the children’s faces for drama, poetry and dance performances, as the photographs below beautifully illustrate.

The project, lasting several months, is leading to a public exhibition of the children’s personality portraits in July 2014. Charlotte also intends to create a large mural painting at the hospital and Lisa will create a storyboard of photography documenting the entire experience. The exhibition will include talks about the work of Bursledon House and ASLI. We also hope to have a band, spoken word artists and an art auction.

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As ASLI artists Charlotte and Lisa arrived at Bursledon House, both were nervous and eager to make a good impression. They first met with one of the teachers, Holly. Her warmth, empathy and enthusiasm instantly made our artists feel at home and welcomed to the Bursledon family.

After meeting most of the staff, including teachers and nurses, the young residents trickled into the classroom to greet Lisa and Charlotte. They played an introduction circle game involving a ball. Charlotte and Lisa, who both share Borderline Personality Disorder, frequently struggle with social situations like this. But in Bursledon’s supportive environment and inspired by the bravery of the young people they met, Charlotte and Lisa were able to quickly overcome these fears and felt very privileged and grateful for the opportunity to be there.

Next, they visited the hemodialysis ward and met an inspirational young girl who was a keen artist herself. Charlotte and Lisa sat with her for a while and discussed her interests. The girl was delighted to hear about Charlotte and Lisa’s reason for being there and how she had an opportunity to create her own portrait. When they mentioned her work would be included in a gallery exhibition, the young girl’s elation was overwhelmingly moving.

As the visit drew to a close, Charlotte and Lisa were sad to leave, but excited to get the next stage of the project underway.



During Charlotte and Lisa’s subsequent visit to Bursledon House, they explained the concept of a personality portrait, providing examples. Artists have always been fascinated by the concept of creating self-portraits as a means of better understanding themselves – the fusion of the outer and inner self. Our artists stressed to the children that there is no right or wrong when it comes to art. Art is THEIR opportunity for self-expression. Charlotte had also pre-compiled a list of thought-provoking questions to encourage the children to focus on their individuality and inspire them creatively with their own personality portraits:

1. List your 4 favourite colours and any colours you dislike. Ask yourself why you picked these colours?

2. Consider your best and your worst features – and why?

3. How would you describe yourself in two sentences?

4. Who are your idols and what do you admire about them?

5. What is your favourite style? What do you like in design, fashion, décor and graphics, what visually stimulates you?

6. Pick 3 (of each) representing you: animals, places in the world, food and books.

7. What are your passions and hobbies in life?

8. What are your fears and dreams?

9. When was your best day and worst day, what happened?

10. How do you think others see you, and how is it different to how you see yourself?


“In self-portraiture the artist does not have to be concerned about pleasing anyone but him or herself. Self-portraits can allow the artist to be open and receptive to the self, which is an important component of therapeutic growth.”

–Professor Simone Alter-Muri

By now, the children were utterly engaged and very eager to get started. Creativity flowed out of them and their ideas were incredibly powerful.

Finlay (6), the youngest in the group, was movingly frank. When asked why he had drawn a face with tears, he simply answered, “It is because I am very sensitive.” This kind of honesty was refreshing and insightful.

Charlotte sat with a young girl called Bethany (11). Wise beyond her years, Bethany displayed a determination that could take her wherever she wishes to go in the future. She told Charlotte, “I want to draw a light bulb above my head, because I love to think and question things. I love science, I also love art and thunderstorms.”

It’s important when doing this kind of exercise to analyse why we represent ourselves the way we do. Charlotte encouraged these ideas and spoke to Bethany about why she enjoyed these things.

Lisa spoke to a boy called Travis (13). She helped him to identify his own emotions related to the answers he gave on his personality portrait questionnaire. This helped him to generate fresh ideas and use them for artistic inspiration.

The children were also encouraged to produce a piece of creative writing to accompany their portraits during the exhibition. It’s while doing this that they can truly unravel and explore the emotions that form their individual core identities – the human beings behind the masks.


Lisa Reeve is one of ASLI’s first artists in residence. ASLI’s Bursledon House collaboration was her first art residency project and she handled it admirably. This is what Lisa had to say on her experience:

“I am so proud to be working with ASLI. Not only is it a wonderful way to support and inspire a diverse variety of people and children to be creative, art can also help with emotional healing. I myself struggle with social anxiety, among many mental health problems, and using art as a form of self-expression is very therapeutic for me. Art can allow oneself to express turbulent inner emotions that can often be hard, or impossible, to explain in humble words. The children at Bursledon House are such strong, brave, amazing individuals and we are so lucky to have the chance to work with them on creating their own personality portraits. The staff and pupils have welcomed us with open arms and it is inspiring to see how a hospital school operates. The staff at Bursledon House are particularly lovely, caring and open-minded. Helping others is always good therapy for the soul: ‘If you light a lamp for somebody it will also brighten your path.’ (Buddhist quote!) Thank you to ASLI for giving me the opportunity to give opportunities to others.”